AUSTRALIA

Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.

COME TO SEE THE PARADISE

Portraying one of the shadier details of American history, this is the story of Jack McGurn, who comes to Los Angeles in 1936. He gets a job at a movie theatre in Little Tokyo and falls in love with the boss's daughter, Lily Kawamura. When her father finds out, he is fired and forbidden ever to see her again. But together they escape to Seattle. When the war breaks out, the authorities decide that the Japanese immigrants must live in camps like war prisoners.

THE TIGER AND THE SNOW

Love and injury in time of war. Attilio de Giovanni teaches poetry in Italy. He has a romantic soul, and women love him. But he is in love with Vittoria, and the love is unrequited. Every night he dreams of marrying her, in his boxer shorts and t-shirt, as Tom Waits sings. Vittoria travels to Iraq with her friend, Fuad, a poet; they are there with the second Gulf War breaks out. Vittoria is injured. Attilio must get to her side, and then, as war rages around him, he must find her the medical care she needs. In war, does love conquer all?

TO TANGO TON HRISTOUGENNON

The Christmas Tango, is a simple yet original story. A military camp where the rain seems able to wash to the ground buildings and human souls. People bound to the inhumane rigidness of the military spirit, trying or dreaming to escape. Yet, in this hostile ground, where humanity is a handicap and cruelty is an asset, passion is developed. A passion that has no other means to be expressed socially but through a tango dance. The three minutes of that dance is all that a desperate officer has, to express his feelings to the love of his life. A dance that must be mastered in four days by the officer that knows nothing about dancing.

WAR HORSE

The other day, I told a friend of mine that I had never in my life ever ridden a horse. She gasped in horror as if I had missed out on one of life’s most rewarding experiences. I’m not against the idea of it, although I can’t imagine horses enjoy that kind of weight on them for hours at a time. I have just never had the occasion and therefore, I have never had the chance to connect to one of these majestic creatures, like so many others. From what I understand, the bond between a person and a horse can be quite something but having no first hand experience with it, I have no idea why. And so, my lack of horse experience or appreciation may have unduly influenced my reading of Steven Spielberg’s WAR HORSE. Or maybe, it just wasn’t that great.

Based on both the original 1982 children’s novel by Michael Morpurgo and the 2007 stage play by Nick Stafford, WAR HORSE is the story of one remarkable journey, had by a horse. The horse, named Joey in the film, starts out born on a farm, and we are naturally present for that birth, and then, after being separated from his mother, is sold at auction in a pissing contest between a landlord and lies lessee. There, Joey must overcome his exquisiteness to become a work horse or the farmer will lose his land. Past that, he goes off to fight in the first World War and the film follows as he changes hands during his four years away from home. Some of the characters Joey meet along the way make for some tender and beautiful moments but given that the story is his, the perspective gets away from him all too often. A horse’s point of view is a little awkward but Spielberg should have reigned himself back in and focused more.

This horse movie is nearly three hours long and it is never clear what kind of movie we are actually watching. Spielberg is known for two types of filmmaking - family style blockbusters that are entertaining for all and graphic war films. WAR HORSE tries to be both of these films, which makes the experience a confusing one at times. The first hour, or at least it felt that way, is about Joey bonding with his young owner, Albert Narracott (relative unknown, Jeremy Irvine) and seeing if he truly can plod the field. The tone is light, the story tired and the shots somewhat plain considering the man behind the camera. Once he goes off to war, the tone changes drastically and the stylized violence Spielberg thrives on takes over, erasing all traces of family entertainment. Predictability follows and we wait for the horse to find his way home. We wait almost three hours ... for a horse.

IN THE LAND OF BLOOD AND HONEY

Somewhere amidst raising countless kids and attending to the demands of being a giant star, Angelina Jolie found the time to write and direct her first movie. Set against the backdrop of the Bosnian war in the early 1990’s, IN THE LAND OF BLOOD AND HONEY tells the story of Danijel and Ajla (Goran Kostic and Zana Marjanovic), new lovers torn apart by the war who find themselves struggling to keep their love, or even just the idea of it, alive despite being on different sides of the conflict. Jolie shows promise as a filmmaker but she also shows us so much atrocity, that at times, the film is just relentless and borderline preachy.

WAAR

Earlier in 2010, we reported that Hollywood producers are auditioning for film actors in Islamabad for a high-profile Hollywood/Lollywood collaborative project. The director of the project, Bilal Lashari has shot his first full-length feature film called Waar, in collaboration with ISPR. The film has been produced by MindWorks Media with Hunt Lowry, producer of “Donnie Darko” and Warner Bros.’s smash hit “A Walk to Remember” and numerous other well known films.

Waar (to strike) is an action/thriller and drama film, written by Hassan Waqas Rana and stars Pakistan’s finest actors, Shaan Shahid and Shamoon Abbasi, otherwise the rest of the cast are brand new actors. The storyline has been inspired by the war on terror in Pakistan and its effects on the world but with a very stylised interpretation of it. There have been many Hollywood movies which have dealt with the same issue including Syriana (2005) and A Mighty Heart (2007), but most of them failed to portray the situation properly except for Syriana which received generally positive reviews.

The English-language film (Waar) has been shot at various locations in and outside of Pakistan, from the beautiful hills of Islamabad to the second best tourist destination in Pakistan, Lahore to the fascinating valley of Swat (the Switzerland of Pakistan) in the Northern Areas of Pakistan, where a major military operation was launched two years ago. But most of the scenes and script are based around locations in Islamabad. Some parts of the film have also been shot in Istanbul, Turkey.

As reported earlier, the soundtrack of this one of it’s kind film has been done by Qayaas. “Inquilaab, Khayaal and Pal are part of the soundtrack,” says Khurram Waqar, the lead guitarist of the band. The presence of Qayaas in the film makes the project sound even more interesting.

According to IMDB, the estimated film budget is $2,000,000 (PKR 170M or 17 Crores). The film being produced by one of the major film studios in America, Warner Bros, will be first screened at some major international film festivals and after its successful screening at the festivals, it will be released worldwide.

The 140 min feature film is currently in its post-production stage. Waar is expected to have a summer release.